Jim Fiscus is a visual storyteller who builds his narratives using conceptual photography, computer-generated wizardry, and his unusually vivid imagination. “Fiscus’s photographs are cinematic in nature and quality,” Communication Arts noted in a 2009 feature on Jim. His portfolio is wildly diverse, ranging from a Renaissance Hotels campaign that re-creates The Birth of Venus to [...]
curated folios
- CC52: The First Six Months
- Kids!
- Matthew Rolston: Celebrity Portraits
- Oscar: Photographs by Art Streiber
- Polaroids: Selections From the Archive of Photographer Walter Iooss
- Rolph Gobits: Auction & Exhibition Highlights 2010
- Shanghai: Photographs by Michael Wirth
- The Brooklyn Circus: Photographs by John Midgley
- The Sexiest Men Alive
our photographers
- Art Streiber
- Craig Cutler
- David Drebin
- Doug Menuez
- Erik Madigan Heck
- Fulvio Bonavia
- Hans Gissinger
- Jan Steinhilber
- Jason "Giblin" Hindley
- Jeff Lipsky
- Jim Fiscus
- John Midgley
- John Offenbach
- Jorg Badura
- Kwaku Alston
- Lauren Greenfield
- Liz Von Hoene
- Luca Zordan
- Martin Sigal
- Matthew Rolston
- Matthias Clamer
- Michael Muller
- Michael Wirth
- Nadav Kander
- Nino Munoz
- Rolph Gobits
- Roxanne Lowit
- Steven Lippman
- Timothy Greenfield-Sanders
- Uwe Duettmann
- Walter Iooss
related blogs
The debate over CGI
The Creative Review has published a provocative article titled “The Traditional Studio Photographer Is About to Die,” on the increasing popularity of CGI and what it means for photographers. If you’re a commercial photographer and haven’t added CGI to your repertoire, you might want to read it. “We’re fast approaching the tipping point,” car photographer [...]