From “Behind the Portrait: Julian Assange”: “The more I pare it down, the more you really see the condition of people,” Kander says, when describing his approach. His portraits rarely include environmental context—he aims to make pictures that focus on a person’s corporeal structure, his skin and bones. He’s interested in the physical facts […]
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The New Yorker selects Nadav Kander’s photo of “A View From the Bridge” director Ivo van Hove as one of its “Favorite Portraits of 2015”