Hans is no newcomer to film, having exploded into the medium with Tartas, a rather unusual celebration of pastries. Like his photographs, and perhaps Hans himself, his motion work tends toward the eccentric. Take, for example, these stills from his latest motion piece—a personal project titled Water Girl, which he shot with a RED Camera and Phantom HD Gold Systems at Fast Ashley’s studio in Brooklyn…
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That Hans… He’s always got new ideas bubbling up to the surface…
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Related: Opening Night: Hans Gissinger’s Exploding Cakes
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