DigitalFusion on the making of Wired’s first motion cover

For the third and final installment of my series of interviews looking at the making of Wired’s September 2010 motion cover, I talked with Hugh Milstein and Tim Wilcox of the LA-based postproduction company DigitalFusion, who worked with Scott Dadich, Wired’s creative director, and Carolyn Rauch, Wired’s photo editor, on translating Scott’s design into motion. [...]

DP and editor Adam Grossman on Wired’s first motion cover

On Monday, I posted an interview with Art Streiber about shooting Wired’s first motion cover (for the September 2010 issue). Today, Adam Grossman of Good Dog Media, who served as DP and editor on the project, talks about some of the technical aspects, his views on the role of motion in the photography industry, and [...]

Art Streiber on shooting Wired mag’s first motion cover for the iPad

Wired has just debuted its first iPad motion cover—which is also the first motion cover in magazine history—shot by our very own Art Streiber. Unlike the print edition of the September issue, whose image-free cover bears the provocative announcement “The Web Is Dead,” the app is themed “The Future of Television” and features an exclusive [...]

New work: Walter Iooss photographs Sports Illustrated’s first iPad cover

A couple of months ago in Oklahoma City, Walter shot Kobe Bryant for the cover of the June 28 issue of Sports Illustrated, though it’s far from being the first time he’s photographed the Los Angeles Lakers star. “I have shot him since he came into the league 14 years ago,” Walter told me. “He [...]

NYTimes.com design director on the iPad and publication designers

There’s been lots and lots of press about the iPad and what it will or won’t do for the publishing industry. But in the first installment of his new “Interaction” column for Print, debuting in the magazine’s June issue, NYTimes.com design director Khoi Vinh looks at Apple’s highly hyped tablet from a different angle: what [...]

Creative Review embraces the moving image; British creative director names David Drebin “one to watch”

. For its 30th-anniversary issue, Creative Review asked various industry figures to talk about “one thing, person, idea or place that they are excited about for the future, in order to create a list of 30 exiting prospects for the future.” The RED camera was one of those things, and the magazine uses a recent [...]

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