Stanley White’s “My Name Is Peaches” at the Studio Museum in Harlem. Photo by Tobias Hutzler for The New Yorker.
“It’s remarkably difficult to find words for the flustering magnetism of the color abstractions by the painter Stanley Whitney,” writes Peter Schjeldahl of The New Yorker. Photo by Tobias Hutzler.
Read “Shapes and Colors,” by Peter Schjeldahl, here.
