Los Angeles exhibition “The Stand-Ins,” featuring Art Streiber and others, offers an amusing look at “the shot that comes before the shot”

For an exhibition now on view at Month of Photography Los Angeles, Los Angeles magazine photo director Amy Feitelberg decided to put a unique twist on the usual behind-the-scenes concept. Her group show, “The Stand-Ins,” features “the shot that comes before the shot”—the image that is made “before the celebrity stands on their mark, before the animal is taken out of their cage, while the light and the composition are tested.”

Art Streiber is among the photographers she invited to be part of the exhibit, which is on view at the Icon, at 5450 Wilshire Blvd. His contributions are below. Read more about the “The Stand-Ins” in this interview that Amy did with AtEdge.

Jones, Art Streiber’s dog, standing in for Jim Parsons during a Vanity Fair shoot re-creating a classic scene from the movie “The Graduate,” February 29, 2012. Click to see the final shot.

Crew members standing in for the Robertson family of “Duck Dynasty” during a publicity shoot for A&E, January 20, 2013. Click to see the final shot.

Photo Intern Natalie O’Moore standing in for model Elle Evans during a shoot re-creating an iconic scene from the movie “Goldfinger” for Maxim, June 15, 2014. Click to see the final shot.

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